Wednesday, 4 July 2018

Watch 5 films that celebrate the diversity of Canadian music

While the term Canadian music simply means any music created by a Canadian, the genre of Canadian music is a little harder to define. Born out of the collective contributions of all those who were born here and all those who came from far away, it serves as the soundtrack for an ever-evolving country.

From BC through the Prairies and all the way to the Maritimes, from the Northern tip to the border we share with our neighbours down south, we have produced music with a distinctive sound. It spans genres from pop/rock to folk to classical to throat singing.

This week, we’re looking at music from across Canada, representing different regions and different genres. We’ve covered music in this space before, pretty extensively, in fact. If you want to see more rock music, or jazz, we’ve got plenty of options. For this post, we’re pulling out some obscure titles, and one brand new one.

A Short Film about Tegan and Sara

Pop duo Tegan and Sara are identical twins who hail from Calgary, Alberta. They’ve been making music together for 20 years while blazing a path as activists in the LGBTQ community. They’ve got 8 albums under their collective belt, with one of them having been nominated for a Grammy.

They started out small, without a bass player or a drummer. They gradually became known, until their audience extended beyond Canadian borders. One of their tracks was even covered by The White Stripes. Having their major breakthrough around 1999/2000, they’ve been touring consistently since 2002.

Tegan and Sara have developed an intensely loyal audience, a fan base who follow their every move. They’re known to put on a great live show, exchanging stories and banter between numbers, teasing and joking with each other mercilessly.

As artists, activists, queer women, and individuals they have made a name for themselves, and their music.

oehttps://https://ift.tt/2LjlDaB

Ben Heppner: Moving through Music

Opera tenor Ben Heppner was born in 1956 in Murrayville, BC. He studied music at university, and was first noticed in 1979, when he won a CBC talent contest. From there, he went on to become one of Canada’s pre-eminent musical ambassadors.

When we think about Canadian music, something a little more popular or folksy probably comes to mind. But we’ve carved out a space for ourselves in classical singing and opera, as well. Heppner is just one example, and a strong one at that.

In the film, Heppner reveals that he grew up with music, listening to the radio and singing all the time. From an early age he understood the importance of music, and its ability to help us understand the human condition. While he tells his story, we also get to watch and listen to him sing and perform in theatres and opera houses around the world.

oehttps://https://ift.tt/2lSTyfu

The Socalled Movie

Josh Dolgin, aka Socalled, is the epitome of a multi-disciplinary artist. His music combines the influences of hip hop, funk, and oddly enough, klezmer – a traditional form of music from the Ashkenazi Jews of Eastern Europe.

He plays, he sings, he arranges his own music, he raps, produces and composes. A true one-man band. He also dabbles in magic on the side (true story – my folks own the local magic shop and he’s been in once or twice). He’s collaborated with a variety of different artists, ranging from clarinetist David Krakauer to rapper Chilly Gonzales. His music, and his vision, knows no bounds.

In this documentary, filmmaker Gary Beitel has immersed himself into Socalled’s world, bringing us unique insight into his creative process. It’s fascinating to watch.

oehttps://https://ift.tt/2u5lmRD

The Singing Lumberjack

Canadians of a certain age will certainly remember Don Messer and his Islanders, which featured Charlie Chamberlain – the popular, beloved singer.

Born in Bathurst, New Brunswick in 1911, Chamberlain went to work in the lumber industry at the young age of 8 years old. He was friendly and outgoing, and loved nothing more than to whistle while he worked. His good humour was infectious, and he became known as the singing lumberjack who serenaded passengers, and soldiers, on passing trains.

Chamberlain was discovered by Messer through a friend, who caught Chamberlain singing in one such train instance. Once the pair met, Chamberlain went to sing for Messer’s band, and the rest, as they say, is history.

For close to 40 years, Chamberlain entertained audiences with his brand of Canadian music. This short film pays tribute to his talent, and his personality.

oehttps://https://ift.tt/2lSTyMw

Etlinisigu’niet (Bleed Down)

Granted, this is not technically a music film, but it features the music of Tanya Tagaq so I’m including it in the post. Tagaq is an Inuk throat singer from Cambridge Bay, Nunavut. She first started throat singing as a teenager. While normally done with another singer, Tagaq developed a solo style all her own.

She got her start at Canadian folk festivals, and then through collaborations with Bjork, including some concert tours. Her popularity has been on the rise since 2005, garnering multiple music award nominations in both the Indigenous and mainstream communities.

Traditionally, throat singing is derived from Inuit culture, and features two women facing off against each other, singing in a sort of “who can outlast who” competition. Recently, throat singers have incorporated the influences of folk and rock music into their sound as well. But Tagaq is a phenomenon unto herself, taking the genre and forming it to fit her own unique brand of music.

oehttps://https://ift.tt/2u5loZL

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Would You Rather: A Newsletter

Would You Rather is a newsletter that sends scenarios with that question to your email.

Would You Rather…

“Would You Rather” is one of the best questions to ask if you want to spark a discussion, force people to choose between cool options, force them to choose between the lesser of two evils, or just see how your friends or family react to various scenarios. In its newsletter form, Would You Rather does all of that and more. The newsletter, which is clearly a passion project and describes itself as having “weekly(ish)” delivery schedule, sends one unique question in every issue. You can then vote on your choice for the current issue, and review the results of the votes from the previous issue, along with the worded responses people left.

…Sign Up For This Newsletter Or Not?

Some examples of the questions posed on Would You Rather are: would you rather be able to walk through walls or see through walls?, would you rather have telescopic vision or telescopic hearing?, would you rather have your face on a coin or a mountain?, and would you rather have hover boots or a hover bike?. These are lighthearted, fun questions. The questions might not be quite what those who have played this game with their friends might expect (i.e., not extremely gruesome or dirty), but they still are tough decisions and the Would You Rather newsletter makes it fun to make a choice, stick with it, and then view the results of what everyone else said.


Would You Rather: A Newsletter posted first on http://film-streamingsweb.blogspot.com

Merge: To-Do List App For Couples

Merge is an app for couples who live together.

Not Just Roommates

Living with your significant other is a much different experience than living with a roommate. While there are plenty of apps designed to help roommates track expenses and organize responsibilities, assigning those duties or charging your boyfriend or girlfriend through them can feel cold and impersonal. Merge offers the same functionality, but with a lighter touch, designed specifically for couples who live together. At its core, the app is a shared to-do list. But it also offers some advanced features when you dig a little deeper, such as the ability to track payments, comment on to-do list items, or vote on things.

Share Everything

Merge organizes all of these tasks into four categories: CHORES, SHOP, VOTE, AND PAY. Chores helps you keep track of what needs to be done around the house. Shop lets you keep track of your grocery and shopping lists. Vote, perhaps the most interesting but also impersonal category on the app, lets you propose and vote on decisions for the household. Pay lets you coordinate payments. Merge is a cute, fun app that may prove useful for couples. It will definitely tech a particular type of tech-savvy couple to utilize the app to its full potential, but it’s worth a download for any couples living together under the same roof.


Merge: To-Do List App For Couples posted first on http://film-streamingsweb.blogspot.com

Tuesday, 3 July 2018

Dive into 5 Films about Water Sports

The rain subsides, the weather gets warm, and all we want to do is find the nearest body of water. Summer is the perfect time for water sports, and there are oh-so-many to enjoy. Personally, my favourite is the floaty chair, preferably one that comes with a rope that I can attach to the dock. Bonus points for a cupholder.

Thankfully, not everyone thinks like me. There are plenty of people who enjoy getting out on the water to sail, canoe, waterski, and swim. Even if you can’t get to a lake, pond, or ocean, you can usually get out to a community pool.

Here are 5 films that celebrate water sports. And whether you enjoy partaking, or you’re an armchair enthusiast, you’re sure to enjoy them.

Path of the Paddle

Summer wouldn’t be summer without Bill Mason in a canoe. My husband would delight in telling you how much of a canoeist I’m not. In fact, I’m not too adept at water sports in general, but that’s never stopped me from being mesmerized by this film.

I guess I’m what you’d call and armchair canoeist. I could spend hours sitting on the couch watching Bill Mason paddle. With great pleasure. Everything this man does is just so enjoyable.

As Mason says, canoeing is the perfect way to explore the last remaining bits of nature. I’ve spent enough time in a canoe (with my husband paddling) to recognize the truth in this; there’s really nothing quite like being on a calm, quiet lake, surrounded by trees and mountains while watching the loons dive and surface.

So, if you’ve ever wanted to learn how to paddle a canoe solo, or maybe just brush up on your skills, this is the film for you. And if you like it, there are 3 more that follow: Doubles Basic, Solo Whitewater, and Doubles Whitewater.

oehttps://https://ift.tt/1SBLIgJ

Singlehanders

Since we started off with solo water sports, I figured we’d continue with that theme for this film. Singlehanded racing is so named because each boat is sailed by only one person, no crew.

It’s one thing when you think about paddling a canoe all alone, but a sailboat? I don’t know. My brother-in-law, who’s a sailor, always said “Sailing is 90% boredom, 10% sheer terror.” I tend to agree, and it’s in that 10% that I’d hate to be alone.

In this film, two Canadians, Bob Lush and Mike Birch, compete in the 1980 Observer Singlehanded Transatlantic Race. Birch is a professional sailor, competing at top levels. Lush, on the other hand, only recently discovered sailing and has risked everything to pursue it. But as different as these two men are, out on the water, they’re both after the same thing.

oehttps://https://ift.tt/2KJjf0b

Eaude

Let’s just pause for a minute here – literally – and enjoy a poetic take on the art of diving.

oehttps://www.nfb.ca/film/eaude/

The Big Swim

This film from 1964 takes water sports to a whole new level as it gives us an inside look at Canada’s top swimmers in training. These are the folks getting ready for the ’64 Olympic Games, under direction of their coach.

Shot in black and white with very little dialogue but a strong soundtrack, the film has a poetic quality to it. We watch men and women train, spending hours of time and effort in the pool and on the diving boards. The reaction of the two boys sitting on the balcony watching the high divers is hysterical.

Even though the film is only 9 minutes long, it gives you a strong sense of the dedication and stamina required to be an Olympic athlete.

oehttps://https://ift.tt/2KLbdR8

Summer is for Kids

Okay. I admit it. This film is a cheat. It’s not exactly about water sports, and it’s a little problematic in its tacit approval of violence as a means to friendship. And I’ve also got some issues with Austin’s bathing suit. But I’m still including it, because it’s about one boy’s longing to be in the water, and the obstacles he overcomes to get there.

Plus, there’s a solid portion around the mid-mark that’s very water focused.

The film is about young Roger, who longs to go to camp for summer vacation, and manages to get himself into just enough trouble that he succeeds. Once he arrives, his desire to get into the lake is overwhelming, but he can’t swim.

Learning to swim at camp is a rite of passage, and together with the scenes of canoeing and long hikes, this film is sure to summon all the feels.

oehttps://https://ift.tt/2KvqLwv

 

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Tuesday, 26 June 2018

The Political Economy of Canada: From Free Trade to Boom-Bust Cycles

Free trade. Tariffs. Protectionism. Conflict between the Prime Minister of Canada and the President of the United States. It seems these issues are in the news on a daily basis in Canada. But what exactly has led to this, and aren’t we in fact repeating history? This blog post will discuss the Reckoning series, a detailed, complex, and fascinating look at the political economy of Canada, from pre-Confederation days right up until 1986. These five films are just as relevant today as when they were produced more than 30 years ago.

In 1987, when Canada’s economy was slowly recovering from the catastrophic recession of 1981, the NFB released a five-part series on the political economy of Canada. Co-written by brilliant political economist James Laxer, the Reckoning series would, throughout the course of its hour-long episodes, explain the history of Canada’s economic triumphs and failures, and the nature of the unique relationship with our sometimes-difficult neighbour to the south.

Laxer appears on camera throughout, whether it’s to chuckle at the hostile relationship between John Diefenbaker and John Kennedy or ponder why the oil boom of the 1970s was so devastating in the long run for Alberta. The series is complex but not beyond the layman’s comprehension. Although a great deal of material is discussed, Laxer makes sure it’s framed in terms we can understand.

Episode one of the series, The Rise and Fall of American Business Culture, describes just that—how economic power shifted away from the United States to places like Japan. Part of it is attributed to the adversarial model of the workplace found in the States. The Japanese management model preaches a kind of teamwork where everyone wins. At one point, we see President Reagan commenting that “if the US can trade with other nations on a level playing field, we can out-produce and out-sell anybody, anywhere in the world.” It seems to me I’ve heard that somewhere recently! Laxer and other economists point to the lack of long-term planning in the USA as part of the reason it cannot right its economic ship.

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Episode two, Shift Change, deals with automation and more specifically how it has devastated the steel industry in towns like Hamilton, Ontario. Laxer draws parallels with the Industrial Revolution in Great Britain with all its horrors, including the use of child labour, supposedly in the national interest. Laxer points out that new technology has changed, and will change, the labour landscape, whether we are ready for it or not.

oehttps://https://ift.tt/2yHCG4T

Riding the Tornado, episode three, deals with the cost (mainly in human terms) of boom-bust cycles. Using the example of Alberta’s oil boom and subsequent bust in the 1970s and early 1980s, Laxer shows that in these situations, it’s always the people who pay. Broken marriages, foreclosures, alcohol abuse, domestic violence. All of these are by-products of boom-bust economies. Laxer says that Canada’s resource-based economy has always featured boom-bust cycles, going back to the fur trade. Using the example of the possible oil boom in Newfoundland, he contemplates whether perhaps there’s a better way, one that does not so often end up devastating people’s lives.

oehttps://https://ift.tt/2N2yShx

Probably the most enjoyable episode is number four, In Bed with an Elephant, which takes a look at the relationships between Canadian prime ministers and American presidents throughout the years. Did you know that John Kennedy referred to John Diefenbaker as “the old SOB?” (This was partly due to Canada trading with Cuba and China, countries that the Americans considered to be enemies at the time.) It makes the current Trump-Trudeau spat seem tame by comparison. Throughout the history of our country, prime ministers have tried very hard to walk the fine line between negotiating a free trade agreement with the Americans and protecting Canadian values, fearing too much foreign ownership in Canada and too much protectionism on the part of our neighbours. In either case, it has always been a difficult relationship to manage.

oehttps://https://ift.tt/2tE3OMc

The final episode, At the Crossroads, looks at the future of Canada’s economy (as it appeared in 1986) and the fears about the upcoming free trade talks with the USA. As we’ve seen, many of these fears were unfounded, but at the time there was genuine concern that free trade would destroy the Canadian way of life and our cultural industries. Canada is compared to France and Sweden, and the role of government in a free-market economy is discussed.

oehttps://https://ift.tt/2MZPgzi

This fascinating series took the pulse of the Canadian economy at the time. Some of the events it predicted did not come true, but nonetheless Reckoning offers an engrossing lesson in economics and history. One thing it did not predict was the economic rise of China (Japan seems to be Laxer’s example of choice), but how could they have seen that coming at the time?

One last bit of intriguing information concerns the broadcast of the series on Canadian television. The CBC refused to air it, feeling it was not balanced enough. This angered the NFB, as producers felt that the CBC was engaging in censorship. Reckoning had to be shown on a patchwork of educational TV networks throughout Canada, including TV Ontario, the Knowledge Network (BC), Access Alberta and the Atlantic Satellite Network. Some PBS border stations also carried the show.

I invite you to watch this riveting series. It will give you a better understanding of where we came from, and put the current economic squabbles in much-needed perspective.

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Wednesday, 20 June 2018

Mobilize! NFB Puts Truth & Reconciliation Onscreen

“Stories are wondrous things. And they are dangerous,”  says Thomas King.

King knows a thing or two about storytelling and its cultural clout. Born to a Cherokee father and Greek/German mother, he has shed sharp new light on Indigenous experience with novels like Truth and Bright Water and Green Grass, Running Water and groundbreaking radio like The Dead Dog Café Comedy Hour.

With The Inconvenient Indian: A Curious Account of Native People in North America, published in 2012, he delivers an impassioned counter-narrative to official history, a lively work of non-fiction that the late Ojibwe novelist Richard Wagamese compared to the writings of Mark Twain, calling it “essential reading for everyone who cares about Canada and who seeks to understand Native people, their issues and their dreams.”

A film adaptation of The Inconvenient Indian — currently in the works at the Ontario Studio — is one of over 30 Indigenous-driven projects that are either in development, production or current release across the NFB’s various studios. Ranging from futuristic VR to a personal reflection on the shooting death of Colten Boushie, they form the linchpin of the NFBs three-year Indigenous Action Plan launched in June 2017.

When the Truth and Reconciliation Commission (TRC) released its final report in 2015, Judge Murray Sinclair and his fellow commissioners made it clear that any genuine reckoning with the legacy of residential schooling, and the broader history of Canada’s internal colonialism, required a long-term commitment on the part of Canadians and Canadian institutions, and their report included a sweeping call to action — 94 specific recommendations addressing a wide range of social and political players.

The commissioners identified a critical role for artists and for institutions concerned with cultural production and public memory: “Creative expression can play a vital role in this national reconciliation, providing alternative voices, vehicles, and venues for expressing historical truths and present hopes.” As a public producer and distributor, founded with a mandate to reflect Canada in all its complexity to Canadians and the world, the NFB heard the call and is now one year into a comprehensive plan towards institutional transformation, aimed at achieving equity for Indigenous creators, employees, partners and audiences.

The NFB’s Indigenous Action Plan covers all areas of operations – from hiring and distribution to library information systems, where an effort is underway to revise outdated colonial terminology and concepts. Highlights include a commitment to achieving representational parity in staffing by 2025, the development of new protocols for working with Indigenous partners and subjects, and a formal commitment to allocating no less than 15 percent of all production to Indigenous filmmakers and storytellers. Here are some Indigenous-directed stories and projects currently in the works.

In Release:

  • Anishinaabe filmmaker Lisa Jackson is at ease in a range of genres and with Biidaaban: First Light, a VR project that premiered at the 2018 Tribeca Festival in April, she collaborated with artist Mathew Borrett to conjure up a futuristic Toronto, recast in light of its original Indigenous languages and knowledge. A mentoring director with the NSI’s IndigiDocs Program, Jackson won the Alanis Obomsawin Best Documentary award at imagineNATIVE 2017 with Indictment: The Crimes of Shelly Chartier, co-directed with Shane Belcourt. Produced by Rob McLaughlin and Dana Dansereau at the Digital Studio.

In Production:

  • Addiction has a long and painful legacy in many Indigenous communities, a legacy rooted in Canada’s colonial history.  Elle-Máijá Tailfeathers’ feature doc Kiimaapiipitsin is an honest and unconditional love letter to her people, the Kanai First Nation in Alberta, past, present, and future.  Opiates and alcohol have had a devastating impact on the community and Kiimaapiipitsin presents a portrait of a people who are actively seeking radically new solutions to an old problem. What would happen if Indigenous communities were to implement harm reduction models? As Elle-Máijá’s mother, Dr. Esther Tailfeathers says, “Kiimaapiipitsin means ‘to take care of each other’. This is our harm reduction.” In production at the North West Studio. David Christensen is producing.

 

  • When the Winnipeg Aqueduct was completed it 1919, it allowed water to be carried from Shoal Lake to the growing city. But its construction has lead to decades of hardship for the people of the Shoal Lake 40 First Nation, culminating in their isolation on an artificial island, where inhabitants have been under a boil-water advisory for nearly 20 years. Having lobbied long and hard for a road, the people of SL40 are now preparing for big changes. With Freedom Road, a series of shorts currently in production at the North West Studio, hometown filmmaker and activist Angelina McLeod is documenting the process from the inside. Alicia Smith is producing.
  • A co-production between Toronto’s 90th Parallel Productions and the NFB Ontario Studio, The Inconvenient Indian is being directed by Métis/Algonquin filmmaker and activist Michelle Latimer, whose many credits include Nuuca, which she co-produced through own company Streel Film and Field of Vision, with Laura Poitras and Charlotte Cook as fellow executive producers; and Nimmikaage (She Dances for People), an inventive mashup crafted from NFB archival footage. “Michelle was coming off Rise, a groundbreaking series on Indigenous activism around the world,” says NFB producer Justine Pimlott, “and we all agreed she’d be perfect for this project.” Jesse Wente, recently appointed director of Canada’s newly established Indigenous Screen Office, is creative producer. Stuart Henderson is producing for 90th Parallel, with Gordon Henderson as executive producer.

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  • The all too brief life of Jordan River Anderson has inspired new work from Alanis Obomsawin, the 52nd film in an extraordinary career that has paved the way for Indigenous filmmakers in Canada and around the world. Born with a genetic disorder, Anderson was forced to spend his entire life inside a hospital, denied the right to live at home in the Norway House Cree Nation because of jurisdictional bickering between federal and provincial authorities over the costs of the specialized equipment needed for him to live at home. His life and legacy sparked a movement called Jordan’s Principle and child-first legislation aimed at ensuring equitable access to treatment and support for First Nations children and their families. With this film Obomsawin continues her cycle on children’s’ rights, a series that includes We Can’t Make the Same Mistake Twice (2016) and Our People Will Be Healed (2017). Obomsawin is directing and producing.
  • Délia Gunn and Évelyne Papatie, two young Anishnabe directors who’ve made award-winning films through the Wapikoni mobile studio, are creating short work for web distribution as part of Le projet des 5 courts. A partnership between the Val-d’Or-based 08 Cinéma indépendant (Serge Bordeleau, producer) and the NFB (Colette Loumède and Nathalie Cloutier, producers).
  • Born and raised in La Ronge, Saskatchewan, Janine Windolph grew up eating food from the land but her move to the city introduced a southern diet of processed food. With After the Thaw, the Atikemak-Woodland Cree/German artist and educator brings her two sons north to learn traditional life-sustaining skills — hunting, fishing and foraging — from their grandmother who has herself recently returned to the land. Jon Montes is producing.
  • Only recently rediscovered in the NFB vaults, the short film Loon Lake was produced by the historic Indian Film Crew, the NFB’s first all-Indigenous production unit, formed in 1968 within the framework of Challenge for Change. With Loon River, in production at the North West Studio, the Cree/Lakota filmmaker/producer Cory Generoux returns to the community to give the film its first public screening in fifty years. David Christensen is producing.
  • Cree filmmaker/academic Tasha Hubbard turns her gaze on the death of Colten Boushie and subsequent acquittal of Gerald Stanley, and the history of Treaty 6 Territory in Life and Death of the Prairies, currently in production at the North West Studio. Birth of a Family, her remarkable reparative film on the Sixties Scoop, made in collaboration with journalist Betty Ann Adam, premiered at Hot Docs in 2017 and won a Special Jury Prize at imagineNative. Jon Montes is producing in co-production with Downstream Documentary Productions.

In Development:

  • With My Brother’s Story, in development at the BC & Yukon Studio, veteran Cree/Métis filmmaker Loretta Todd is tracing the trajectory of a fractured sibling bond against the backdrop of modern Indigenous history. The winner of several Lifetime Achievement Awards, Todd has created distinctive documentary work like Hands of History (1994) and Kainayssini Imanistaisiwa: The People Go On (2003). Selwyn Jacob is producing.
  • With Nin, auass/ Moi, L’enfant, a feature doc in development in the French Documentary Studio, Abenaki director Kim Obomsawin is charting twelve months in the lives of four young people from different Indigenous community. Key inspiration is Nicolas Philibert’s 2012 feature doc Être et avoir, a beautifully observed film of life in a rural French school. Colette Loumède is producing. Obomsawin’s credits include Ce silence qui tue, a 2018 release from the Indigenous-run Wabanok Productions that challenges official indifference to the issue of missing and murdered Indigenous women. 
  • Also at the BC & Yukon Studio, Chris Auchter is revisiting a pivotal event in his community’s history, retrieving footage shot for a 1969 documentary entitled This Was the Time in order to retell the story from a Haida perspective. The film centres on a watershed moment in Haida Masset where for the first time after more than half a century of colonial suppression, a totem pole was carved and raised in the context of a potlatch ceremony. The carver featured in the film is a young Robert Davidson, today a globally renowned artist. “There’s so much positive change that can be credited to that event,” says the Haida Gwaii-born Auchter, whose most recent work The Mountain of SGaana was named Best Film for Young Audiences at the 2017 Ottawa International Animation Festival. Selwyn Jacob is producing. 
  • A multidisciplinary creation lab initiated by Michèle Bélanger and housed in French Program, Déranger invites Indigenous artists to create work that both disrupts and enhances public space. The Montreal incarnation, mounted in collaboration with the Oboro Centre and Wapikoni, gave birth to the immersive installation Kushapetshekan/Kosapitcikan, exhibited earlier this year at the Montreal Museum of Fine Arts. Déranger now moves to Winnipeg where the NFB is partnering with On Screen Manitoba and Video Pool.
  • At a time when Indigenous women were arguably the most disenfranchised members of Canadian society, Mary Two-Axe Earley, pictured below, fearlessly took on the nation’s most powerful political figures, determined to secure basic rights for Indigenous women and children. Kanien’kehá:ka (Mohawk) filmmaker Courtney Montour, who also hails from Kahnawake — the town where Mary had to fight for the right to be buried — is currently in development in the Quebec & Atlantic Studio on a documentary investigation of Two-Axe’s life and legacy. Kat Baulu is producing.

 

  • “As Inuit we’re not frightened to mix things up,” says Elisapie Isaac, a musician and filmmaker whose credits include the lyrical NFB release If the Weather Permits. “We have a very eclectic culture; not one that holds us back but rather a culture in transition.” For her latest project Runaway Girl, in development at the French-language animation studio, she has teamed up with renowned visual artist Marc Séguin. Marc Bertrand is producing.
  • Also in the works in French Animation Studio is Symphonie d’une attaque nordique, a futuristic short in which Caroline Monnet imagines the Indigenous Peoples of the North uniting against a supernatural invading army. A visual artist of Algonquin ancestry who has exhibited around the globe, Monet made the exhilarating archive-based short Mobilize for the NFB Souvenir Series. “I want to speak about a people moving forward, a people who are mobilizing themselves,” she says of that film. Julie Roy is producing.

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  • Métis filmmaker Cara Mumford harnesses the narrative potential of interactive technologies with Red Card, a futurist web-based game in development in the NFB Digital Studio. Continuing an exploration she began with the short film Red Card World: The Tree, she evokes the collapse of western society, a scenario where Indigenous communities offer survival with life-saving ‘supertrees.’ Red Card was the winner of the NFB/imagineNATIVE’s 2016 interactive partnership program. Produced by Dana Dansereau.
  • With Meneath (Island), an AR project in development in the Animation Studio, Métis artist Terril Calder is exploring the seven deadly sins of Christianity alongside the seven sacred lessons of Indigenous knowledge. Calder’s work has received Honorable Mentions at Sundance and the Berlinale, and her animated short Choke, co-created with Michelle Latimer, made TIFF’s top ten list in 2011. She was the recipient of the 2016 Ontario Arts Council’s K.M Hunter Media Arts Award. Produced by Jelena Popović.
  • Amanda Strong’s inventive animation has drawn comparisons to Tim Burton, and when Alanis Obomsawin was given the Toronto Film Critics’ 2016 Clyde Gilmour Technicolor Award, she was so impressed by Strong’s extraordinary short Four Faces of the Moon that she bequeathed the cash prize to the Vancouver-based filmmaker, acknowledging Strong’s vital contribution to contemporary Indigenous cinema. Strong is currently developing Wheetago War, based on a cannibal story by Tłı̨chǫ writer Richard Van Camp, in the English Animation Studio. Produced by Maral Mohammadian. Below: Amanda Strong with Alanis Obomsawin and Jesse Wente, Director of the Indigenous Screen Office, at 2017 Toronto Film Critics gala, photo courtesy of anishinabeknews.ca

Indigenous Cinema: Free streaming of over 200 titles

Since 1968 the NFB has produced close to 300 titles by First Nations, Métis and Inuit directors from across Canada. Over 200 of these titles are available on Indigenous Cinema, an online platform launched earlier this year. The curated collection includes trailblazing historic films like Willie Dunn’s The Ballad of Crowfoot, the first film made by the Indian Film Crew, alongside landmark docs like Alanis Obomsawin’s Kanehsatake: 270 Years of Resistances and a host of new titles.

In honour of June 21, National Indigenous Peoples Day, the new platform is showcasing Kanehsatake as well as a quartet of recent releases: Tasha Hubbard’s Birth of a Family, Louise BigEagle’s To Wake Up the Lakota Language along with Marie Clements’ stirring musical doc The Road Forward and Chris Auchter’s animation hit.

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Visit Beyond 94, a site created by the Indigenous Unit at the CBC, to get a sense of the progress Canadians have made – and the work we still need to do – in meeting the TRC’s 94 calls to action.

Banner image: Wave a Red Flag, directed by Adam Garnet Jones.

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Mobilize! NFB Puts Truth & Reconciliation Onscreen posted first on http://film-streamingsweb.blogspot.com

How We Selected 80 NFB Productions to Commemorate Our 80th Anniversary

As part of our commemoration of the National Film Board’s 80th anniversary, we decided to choose a symbolic 80 powerful productions to high...